{"version":"1.0","provider_name":"Diseloconcine","provider_url":"https:\/\/ulia.org\/diseloconcine","title":"EL PADRINO: La boda de la hija de Don Vito Corleone (Francis Ford Coppola, 1972 &#8211; Diseloconcine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"2YeUXDKiLM\"><a href=\"https:\/\/ulia.org\/diseloconcine\/portfolio-items\/el-padrino-la-boda\/\">EL PADRINO: La boda de la hija de Don Vito Corleone (Francis Ford Coppola, 1972<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/ulia.org\/diseloconcine\/portfolio-items\/el-padrino-la-boda\/embed\/#?secret=2YeUXDKiLM\" width=\"600\" height=\"338\" title=\"\u00abEL PADRINO: La boda de la hija de Don Vito Corleone (Francis Ford Coppola, 1972\u00bb \u2014 Diseloconcine\" data-secret=\"2YeUXDKiLM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/ulia.org\/diseloconcine\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/ulia.org\/diseloconcine\/wp-content\/uploads\/2021\/03\/La-boda-de-hija-de-vitto-corleone.jpg","thumbnail_width":1280,"thumbnail_height":720,"description":"Comienza la segunda secuencia de El Padrino con un plano de situaci\u00f3n muy significativo. Un metanarrador o narrador omnisciente muestra la mansi\u00f3n de los Corleone con un llamativo plano general en picado. El encuadre en picado, seg\u00fan la sintaxis del cine, no es neutral sino que entra\u00f1a una valoraci\u00f3n negativa."}